A very comprehensive one day course for 8 students. We’ve packed a lot of information into an 8 hour day, including: casting, knots, equipment, fishing strategies and fly selection, for coldwater, warmwater and saltwater species. Beginners can expect to learn the skills that will allow them to catch fish on their own, and intermediate level fly fishers can advance their casting skills and fill in some holes in their technical knowledge. We provide all equipment, including a textbook, as well as lunch and drinks. Just bring a willingness to have fun and learn, but register early, they fill up fast.
The Venue:Clearwater Lake, Chapel Hill, NC
Corporate Group Events
Scout Merit Badge Classes
Our Fly Fishing Class instructors, Scott Wood and Jim Coveny also offer private lessons, corporate events, and instruction for scout merit badges. Private Lessons are $80.00 an hour with a two hour minimum. Gift Certificates are available. To schedule a lesson, purchase a gift certificate or obtain a quote for a corporate event, call or email Scott Wood.
Come join us for our Chapel Hill area fair in Carrboro, NC on Sunday, February 9th from 1:00-4:00 PM for an incredible FREE opportunity to learn about a number of life-changing gap year programs from all around the world!
For more information, visit our website at usagapyearfairs.org. You can also follow us on Facebook, Instagram, and Twitter. See you there!
*Presentation 1:00-2:00 PM, Fair 2:00-4:00 PM
*If you plan to attend our event and would like to request any reasonable accomodations in order to benefit from our programming, please inform us of your request via email at [email protected] at least 1 week prior to the event date.
Could you BE any more of a FRIENDS fan? Did you major in lightning rounds? On a scale from 1 to 19, 19 being the biggest FRIENDS fan in the world, are you definitely 19? Are you intrigued? You’re flingin’ flangin’ right you are!
We'll be hosting the most exciting Friends Trivia event to ever occur in Chapel Hill, NC since Monica and Rachel lost their apartment to Joey and Chandler back in Season 4.
Bunny up at Tobacco Road Sports Cafe on Wednesday, December 5th at 7PM for FIVE unique and challenging rounds of questions. Practice the routine over and over again, use your Unagi, and show off your impressive compuper skills.
For reservations visit; https://friendstrch.eventbrite.com
The best way to reserve tickets is by selecting a team captain and having them be in charge of tickets for ALL team members.
For example, if Monica, Chandler, Ross and Rachel are a team and Monica gets put in charge, she will then reserve tickets for herself, Chandler, Ross and Rachel = (4) in total.
PLEASE ONLY RESERVE SINGLE TICKETS IF YOU ARE PLAYING BY YOURSELF.
We will send a confirmation email to everyone closer to the event.
Challenge extended... will you be brave enough to accept?
Fact. The Office Trivia at Tobacco Road Chapel Hill is the most fun you can have in Chapel Hill on Wednesday, November 21st starting at 7PM.
Take a break from being The World's Best Boss, your classes at art school, or beet farming to prove you know the most about the Dunder Mifflin family. Prizes will be awarded in lieu of Dundees, and you don't want to be left empty handed... that's what she said!
For reservations visit; https://officetobaccoch.eventbrite.com
The best way to reserve tickets is by selecting a team captain and having them be in charge of tickets for ALL team members.
For example, if Pam, Jim, Michael and Todd Packer are a team and Todd gets put in charge, he will then reserve tickets for himself, Pam, Jim and Michael = (4) in total.
PLEASE ONLY RESERVE SINGLE TICKETS IF YOU ARE PLAYING BY YOURSELF.
We will send a confirmation email to everyone closer to the event.
**This is an online event**
Training will start on 5th October and end on 27 October. Every Saturday and Sunday Morning classes for 2 hours with Live Instructor from Toronto, Canada
*Meeting URL will be sent separately -- Don't panic if you don't see as part of Event Ticket*
When: 5th October 2018 - 27 October 2018
Instructor: Chandan Kumar
General Admission is ($390.00)
The driving factor behind this course is that most courses out there only focus on shallow teaching without teaching the fundamentals. This course build your fundamentals from ground up to hands on training for all state of art DevOps tools.
Who is the target audience?
No programming experience is required.
Downloading and installing IDE and tools are included in the course
Basic computer skills: surfing websites, running programs, saving and opening documents, etc.
IT professionals across a broad range of disciplines who need to perform essential administration tasks and automation.
Graduate Students and also for those who are looking for a job in Automation using Ansible (RedHat Linux) & wants to get hands-on practical experience in Automation & build up a base on Ansible.
Excel in delivering and deploying software using Git, Ansible, Jenkins, Docker
Apply DevOps in your team
Understand Continuous Delivery
Automate the Software Development Lifecycle (SDLC)
Automate the deployment process
Reduce release time
Release better software
Build a highly available and fully scalable application
Automate using Ansible
Linux Administration Fundamentals
Linux Operating System Overview
Linux Administration - Basic
Virtualization and Hypervisors.
Virtual Machines and Management
Virtual box, VMware
Cloud Computing Fundamentals
Cloud Computing: PaaS, SaaS,IaaS
Private Cloud, Public Cloud
Hands-on working with Microsoft Azure, AWS
Git Source Control
Source version Control using Git
How to check-in/Checkout code using Git
Introducing Ansible-Overview of Ansible Architecture
Implementation of Ansible Playbooks
Writing YAML Files
Managing Variables & Inclusions
Various Labs on Implementing Playbooks from real IT Industry Environment
Gain sufficient skills to perform core system administration Automation
Implementing Tasks Controls
Overview of Ansible Installation
Industrial Live overview of Automation tool using Ansible with Shell Scripting
AWS with Ansible
Using Ansible to automate AWS resources
Variables and Datatypes
Data structure: String, list, and Direct Operations
Loops and more
Python Module and AWS
CSV file parsing
AWS BOTO3 Python module
Achieve true Infrastructure as Code using Terraform
Terraform with AWS
Java build Process
Application build pipeline using Jenkins
Full CI/CD Pipeline.
Infrastructure Provisioning with Jenkins on AWS
Practical Use cases
Infra structure Provisioning
Hadoop Deployment using Ansible
AWS Deployment using Ansible
100% refund only, if you can't attend it due to medical emergencies with proof.
If the training has not been conducted for any reason, full refund.
if you just change your mind then you will be assigned to next batch.
Contact us at [email protected] for any questions. Group discounts are available. Corporate training is also available.
See our course catalog at - https://www.becloudready.com/training
RTP180's NC State TAKEOVER | FAKE NEWSPresented by RTI International
You know what isn't Fake News? We are having two RTP180s in the month of October!
RTP180: Death will take place on our regularly scheduled 3rd Thursday at The Frontier in RTP. Then, on October 24th, we are taking our show on the road to NC State's Talley Student Union to hear 5 experts from our region give us their take on the "Fake News" polluting our TVs, radios, newsfeeds, and Google searches.
Why is misinformation even a thing? What tools are out there to help us spot Fake News? How can you protect yourself against phishing? Hear about these topics & more at RTP180’s NC State Takeover: Fake News.
Tim Lowman | NC State UniversityPriya Ganhi | Fidelity InvestmentsBrian Southwell | RTI InternationalRob Ross | NC LIVEJoseph Cabosky | University of North Carolina at Chapel Hill
PARKING & EVENT LOCATION
Don't forget, this particular RTP180 will be at the Talley Student Union, not The Frontier!
After 5:00 p.m. on weekdays and anytime on weekends, you can park for FREE in the Coliseum Parking Deck (right beside Thompson Hall) or in the Jeter Drive Parking Lot (beside Reynolds Coliseum and Talley Student Union).
Get your bearings by using this Campus Map
We don't want you to get lost, Get directions to Talley Student Union »
Innovation. Education. Industry. These are powerful angles—and what the Research Triangle Park is known for. At RTP180, speakers from our three founding universities, Park companies, and the community at-large are called upon to take the stage to speak passionately about what matters to them. Doors open at 5:00pm for networking, beer & popcorn. Show kicks off at 6:00pm.
This year, we’ve chosen four themes for RTP180: Science, Human Communications & Interactions, Technology and Economic Development. Each of our monthly topics will fall under one of these themes.
The hashtag for this event is #RTP180. Get social with us by tagging @theRTP and @RTPFrontier.
Interested in attending the October RTP180 on The Frontier Campus on 10/18? Tickets go live for RTP180: Death on 9/20: https://www.eventbrite.com/e/rtp180-death-tickets-48802052252
Party with The Area's Elite Partygoers! WELCOME HOME NCCU HOMECOMING
DMV VS NC
PERFORMING LIVE DMV OWN TCB GO GO BAND KINGS OF THE BOUNCE
ALONG WITH TISH SONGBIRD AND THE APPLAUSE BAND
TWO FLOORS X TWO DJS X THREE BARS X FULL KITCHEN
HOSTED BY PUFF TV
@CARTIER ●|| 5504 DURHAM-CHAPEL HILL BLVD, Durham, North Carolina 27707●||| DOORS OPEN AT 9PM SHARP.
For The Mature CROWD 21+ Admitted._______________________________________________________________ATTIRE: Due To Venue Capacity Restrictions, Admission Will Be Reserved For Those Who Demonstrate Progressive Style And Execution. We Ask That You Prepare And Dress Accordingly. As Always.No Hats, Plain Sneakers, or Athletic Wear, This is an upscale event so come Stylish! FYI: Those who do NOT follow the Dress Code will be charged additionally/Denied Entry even with a Ticket.**ALL SALES ARE FINAL**
For More Information Contact 919.806-7210
SFB Bodyweight Instructor Certification—Durham, NC
Learn how to get a powerlifting-quality workout anywhere and anytime—using only your bodyweight as resistance. At this two-day event, SFB Candidates learn our principle-based bodyweight training system, developed and refined by our Founder and Chairman, Pavel Tsatsouline.
This Certification will make you a stronger and better strength coach, and you will learn how to teach this system to others. Athletes looking for a unique strength challenge may also set their sights on this Certification.
LOCATIONRapid Results Fitness4125 Durham Chapel Hill Blvd Suite 10Durham, NC 27707919-210-5120919-403-8651
Host: Betsy Collie Senior SFG
SCHEDULE 8-5pm Saturday and Sunday *check-in begins at 7:30am on Saturday
LEAD INSTRUCTORKaren Smith, Chief SFB, Master SFG
CONTACT Email [email protected] with any questions.
MORE INFO Please visit our SFB Bodyweight Instructor Certification webpage for more details.
Click to see SFB Certification requirement detail
Available until Dec 15, 2018.
You can decide to pay only $395.00 at registration, and the rest in two equal installments All installments must be received by January 7, 2019. Payment instructions will be included in registration confirmation.
You will be responsible for making the installment payments until your account is paid in full. Your registration will be confirmed upon receipt of the final installment payment.
If the payments are not received on time, your registration will be forfeited. Cancellation policy applies. You may transfer your registration to someone else if you are unable to attend at no fee.
Please contact [email protected] if you have any questions.
*Promo Codes cannot be applied with Payment Plan option.
CANCELLATION AND REFUND POLICY:
Certification registration fees are non-refundable.
Should StrongFirst, Inc. allow the cancellation of a registration due to an extreme circumstance, the registrant will receive a refund of the registration paid less a $500 administrative/processing fee, if requested 45 days or more prior to the scheduled certification. No refunds will be granted within 45 days of the event date.
Requests to change registration from one scheduled certification to another must be made to StrongFirst, Inc. by e-mail at [email protected] at least 45 days before the certification date, and is subject to a $300 rescheduling fee. Requests made less than 45 days before the certification dates will be reviewed on a case-by-case basis.
Registrants may transfer their certification registration to another person for no fee.
Fathom Realty, the host of Durham Elite Networking powered by Rockstar Connect, invites you to an evening of Rockstar Connect networking at the Roots Bistro & Bar on Wednesday, November 7th, 6 PM to 8 PM.
It is a mix-and-mingle, after-hours business networking event and all may attend. Unlike other evening networking events, admission is free of charge, there are no boring speakers and no one is trying to sell you anything. Bring your old friends, make new friends and create your next meaningful business connection.Roots Bistro & Bar is providing complimentary finger foods on a first come first served basis as well as the free event space. Attendees are encouraged to reciprocate the venue’s generosity by making a beverage purchase and by tipping their servers. It is the Rockstar thing to do. Feel free to come early for dinner, or stay after for drinks. Rockstar Connect events are held in hundreds of cities around the United States and Canada and hundreds of thousands of networkers attend Rockstar Connect events every year. Our hosts believe that you have to give in order to get, which is why they organize this monthly event to support their local business community. Direct all questions to Rockstar Connect: 1 (800) 205-2327.
All attendees are welcome, either living in or visiting the Greater Raleigh-Durham, North Carolina area: Chapel Hill, NC, Carrboro, NC, Cary, NC, Apex, NC, Raleigh, NC, Wake Forest, NC, Holly Springs, NC, Garner, NC, Graham, NC, Fuquay-Varina, NC, Burlington, NC, Clayton, NC, Henderson, NC, Sanford, NC, Smithfield, NC, Hayes, NC, Joyland, NC, Braggtown, NC, Keene, NC, Bilboa, NC, Colony Park, NC, Hope Valley North, NC, Mill Grove, NC, University Estates, NC, Weaver, NC, Surry Green, NC, Few, NC, The American Village, NC, Oak Grove, NC, Rocky Knoll, NC, Suntree, NC, Huckleberry Spring, NC
Ladies are you ready to see what Eyelash Extensions are all about?!?! You heard about it but you still not sure if its right for you?!?! You may have experienced lashing but could use a refresher to help take your lash skills to the next level. If this sounds like you....Join us on October 28th at First Impressions Salons as Anita "The Celebrity" hosts our very first "Look and Learn" Eyelash Extension Training. She has partnered with one of Charlotte's NC Five Star Lash Salons to bring you the very best in training.You will have opportunity to ask as many questions as you like while watching a live demo and learning all about how to properly apply eyelash extensions.
We will raffle off one FREE HAIRSTYLE for just $1.00!
Light Refreshments will be served.
Registration is now open and will close once seats are filled. $25 To Register! Remaining balance due at entry of event ($100 until 10/14/2018 and $150 afterwards)
"Look and Learn" event includes:
An interactive step by step live demonstration by one of Charlotte NC Master Lash Artist/Trainer who has taught several successful students the Art of Lashing and currently holds a high level of integrity for the Lash Industry.
Topics to be discussed:
How to apply one semi-permanent eyelash extension to a natural lash
How to care for eyelash extensions
How to manage retention (longevity of lashing)
How to perform a proper client consultation
How to appropriately price your services
Q & A open floor to ask any questions you like or request a technique that you would like to see demosntrated.
( You may take notes)
Upon completion of event you will have the opportunity to enroll in a hands on training course at a discounted price!
Will the instructor teach advance lashing or volume lashing?
No. This look and learn focuses strongly on introductory (basic step by step techniques). You may enroll in a mentorship, or hands on training class at a discounted rate should you like to continue learning.
Does this course take the place of a lash certification course?
While students will learn a lot from a look and learn training, it is strongly advised to seek a hands on course if you have not already done so. This course gives you an insight into what lash extensions are all about if you are unsure whether this career is for you and helps those who already have experience lashing, the ability to increase their skill level.
Will there be hands on training at this event?
No. This will specifically be a look and learn experience.
What's the refund policy?
There are no refunds.
For additonal questions contact Anita "The Celebrity" (803) 639-8922
Art, Performance & the SonorousStudy Day including Evening Lecture
‘When I think about the way we use the term ‘study,’ I think we are committed to the idea that study is what you do with other people. It’s talking and walking around with other people, working, dancing, suffering, some irreducible convergence of all three, held under the name of speculative practice. The notion of a rehearsal – being in a kind of workshop, playing in a band, in a jam session, or old men sitting on a porch, or people working together in a factory – there are these various modes of activity. The point of calling it ‘study’ is to mark that the incessant and irreversible intellectuality of these activities is already present.’ Fred Moten in The Undercommons: Fugitivity, Planning and Black Study
From the Oxford English Dictionary
1) a. Of things: giving out, or capable of giving out, a sound, esp. of a deep, ringing character. b. Of places, etc.: Resounding, roaring, noisy (1729)2) Of sounds: Having a loud, deep, or resonant character (1668)3) Of language, diction, etc.: Having a full, rich sound: strong and harmonious (1693)4) Of persons: Having a full and rich style or voice (1728)
On the 13th of December we are coming together to study the sonorous, which begins as the OED reminds us in giving out, service to the work, gift in circulation and capability. The sonorous moves towards the re-sounding, the noisy, and calls on us to be listeners, full, rich, strong and harmonious practitioners with style.
'Speculative practice’ and ‘Practice-as-research’ often involve inter / trans / co-disciplinary investigation. They demand that we bypass the scarcity model of research which suggests outcomes prematurely. This is too often a model that constricts artists, scholars and researchers in their critical enthusiasms and in their black practices of intelligent excess. Indeed, to sound out interdisciplinarity as Joseph Roach, Fred Moten and Daphne Brooks among others suggest, is not to engage in clunky switching to ‘other’ disciplines, but to pay careful attention to irreducible, unavoidable crossings between spheres of understanding.
Art, Performance & the Sonorous is the second in a series of six intensive study days over two years, hosted by the University of Roehampton and University of the Arts London. The days are designed for creative arts and critical theory candidates at doctoral level, and are open to TECHNE researchers and associates at all TECHNE partnership institutions and other interested PhD researchers within those institutions.
Each intensive day combines seminars, workshops and talks and hosts an international guest theorist or artist. Each day is organised around key concepts in interdisciplinary thought that impact upon the study of art and performance: materiality, the sonorous, mobility, the common, temporality and labour.
This event is funded by TECHNE. Please only book if you are certain to attend. Lunch is included. Please note that places are limited and TECHNE Scholars & Associates will be given priority booking. If you are a doctoral candidate at a partner university but not a TECHNE-funded student, you will be asked for a donation of £5 on the door to cover your lunch. If you would prefer to eat lunch elsewhere, there are numerous other options available on the University of Roehampton campus.
The preparatory reading for this event (five essays) will be emailed to you on registration.
10:30-11:30amP.A. Skantze: ‘Shake That Thing: Early Modern Liner Notes and the Dark Lady of the Sonic’
Imagine a broadsheet with weekly liner notes on the sound event that was a new Shakespeare play at The Globe. How might listening with an ear pressed to the score of the performance create new understandings of how the play as music orchestrates a way to hear the more that is the story plus the sonic invention? Does the method of abbreviation in spoken lyric prompt the listener to fill in the blank, open the door marked ‘alluded to but not elaborated upon,’ thus creating a give and take of the sonic? Daphne Brooks’ work on black women singers as practitioners invites us to rethink the notion of she who arranges vocally prior to and in the midst of singing. Directing the score of a Shakespeare text with let’s say Aretha Franklin as a model opens the way to marvelous theoretical collisions; to take one example when Enobarbus evokes a ‘gap in nature’ in trying--in liner note writing fashion--to account for the wonder that was Cleopatra, how might a performance arrangement echo Dr Franklin’s deployed gaps, not silence, but sound held apart by the tension of the brilliant practitioner. To speak with intention is to score the language for sound / for sprezzatura in an early modern key.
12:00-1:30pmWorkshop on Liner Note Methodologies
Often the process of studying in practice as research at postgraduate level calls for intuitive leaps – ‘the senses as theoreticians’ as Moten quoting Marx tells us—and on this sonorous day we will be playing with paradoxes such as thinking through the ‘liner note’ as a form of practice as research methodology. Liner notes like so much making and writing demand a translation, a transformation: how do you communicate what the record Kind of Blue by Miles Davis does in your ear? The work of liner notes is a work of listening to performed sound and then inventing a form of writing that flips metaphorically, imagistically, raucously and seductively over and over in the air above your writing. So your listener can shift and move, hearing for a moment with you the writer listener, and then listening and hearing differently. Any work with sound, anytime and anywhere, requires linguistic acrobatics without a net: we follow in Ella Finer’s words ‘a method which relies on keeping faith in the absence of fact, of feeling the trace elements of something in the air, on the air, of listening to the materiality of vibrations and hearing imagination as information.’
2:30-4:30pmInterventions: Call and Response
Participants: Mojisola Adebayo, Christopher Heighes, International Western, Timothy Smith, Johanna Linsley
Seven-minute interventions on the sonorous, the black sonic and methodologies. Respondent: Daphne Brooks
5:30-7:30pm Evening Seminar: 'If You Should Lose Me': The Archive, the Critic, the Record Shop and the Blues WomanDaphne Brooks
This talk examines the problem of iconic blues women who’ve been “lost” to history, Geeshie Wiley and Elvie Thomas, as well as the critics who’ve loved and chased after them. By placing the politics of queer archival studies and black performance theory in conversation with canonical blues historiographies, the talk will explore the aesthetics and cultural resonances of Wiley and Thomas’s rare recordings. It aims as well to trace a black feminist counter-history of record collecting and listening publics in order to tell a different story of blues lives that mattered.
Daphne A. Brooks is Professor of African American Studies, Theater Studies, American Studies, and Women’s, Gender, and Sexuality Studies at Yale University. She is the author of two books: Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 (Durham, NC: Duke UP), winner of The Errol Hill Award for Outstanding Scholarship on African American Performance from ASTR, and Jeff Buckley’s Grace (New York: Continuum, 2005). Brooks is currently working on a three-volume study of black women and popular music culture entitled Subterranean Blues: Black Women Sound Modernity. The first volume in the trilogy, Liner Notes for the Revolution: The Archive, the Critic, and Black Women’s Sound Cultures is forthcoming from Harvard University Press.
Brooks has authored numerous articles on race, gender, performance and popular music culture, such as “Sister, Can You Line It Out?: Zora Neale Hurston & the Sound of Angular Black Womanhood” in Amerikastudien / American Studies, “‘Puzzling the Intervals’: Blind Tom and the Poetics of the Sonic Slave Narrative” in The Oxford Handbook of the African American Slave Narrative, “Nina Simone’s Triple Play” in Callaloo and “‘All That You Can’t Leave Behind’: Surrogation & Black Female Soul Singing in the Age of Catastrophe” in Meridians. Brooks is also the author of the liner notes for The Complete Tammi Terrell (Universal A&R, 2010) and Take a Look: Aretha Franklin Complete on Columbia (Sony, 2011), each of which has won the ASCAP Deems Taylor Award for outstanding music writing. In January 2017, Brooks served as the chief curator of Blackstar Rising & The Purple Reign: Celebrating the Legacies of David Bowie and Prince, a four-day international conference and concert event held at Yale University.
P. A. Skantze, Reader in Performance Practices at Roehampton University, directs theatre in Europe and the UK. She has written theory in pentameter, essays on the practice of spectating as well as on gender, race and sound investigating what interventions performance can make to change the world in which we live. She is the author of Stillness in Motion on the Seventeenth Century Stage (Routledge 2003) and Itinerant Spectator / Itinerant Spectacle (punctum 2013). With her performance group Four Second Decay she has explored ‘Audible Montages,’ directed Anne Carson’s ‘Antigonick,’ peripatetically performed Orfeo and Eurydice ‘How to Save Someone You Can’t See’ and ‘Redistricting Hell’ through Greece. New work includes new forms of textual projection and playfulness in opera [Falstaff National Theatre of Croatia May 2018]. Currently she is working on a production of her musical ‘Stacks’ in which her heroine with the help of the New York Public Library saves the City from becoming two-dimensional.
Mojisola Adebayo is a performer, playwright, producer and director. She has been making theatre for 25 years, working internationally from Antarctica to Zimbabwe. Her own plays include Moj of the Antarctic: An African Odyssey, Muhammad Ali and Me, 48 Minutes for Palestine, Desert Boy, The Listeners, I Stand Corrected, The Interrogation of Sandra Bland and STARS. Publications include Mojisola Adebayo: Plays One Oberon), 48 Minutes for Palestine (Methuen), The Interrogation of Sandra Bland (Oberon) the co-written Theatre for Development Handbook (Pan) and several academic publications. Mojisola Adebayo: Plays Two (Oberon) is out in January 2019. STARS opens in Autumn 2020. She is currently writing Wind / Rush for the National Theatre (Connections) 2020. Mojisola was recently appointed as a Fellow of the Royal Society of Literature. She is an Associate Artist with Pan Arts and lectures at Queen Mary, University of London.
Johanna Linsley is an artist, writer and producer. Her work is iterative, research-based and focused on performance. It often results in projects with multiple versions or outcomes. Current interests include documentation, procedure, listening (especially eavesdropping), queer domesticity, collaboration, and formations of the public. An interest in the speculative and fantastical underlies this work. Johanna is part of the London-based live art team I’m With You, which investigates queerness, domesticity, private life and public space. She is also a founding partner of UnionDocs, a centre for documentary art in Brooklyn, New York. Johanna is a researcher on the Wellcome Trust-funded project ‘Challenging Archives’ at the Theatre Collection Live Art Archives at the University of Bristol. She received a PhD in performance studies from Queen Mary, University of London, and also studied at Smith College.
The International Western – & Company is a performance collective currently based in London who have been working together since 2012, making installation and performance work about what we describe as the technosocial mechanisms of contemporary living – by this, we mean that our work strives to makes visible, inhabitable and concretely perceivable the infrastructural fabric that determines the manner in which we live our lives. Our work to date has used means and modes of communication in the physical sense (telephone lines, light cables, amplification and torch-signaling systems) and in the conceptual sense (alphabets and symbolic codes as well as broader forms of encodings, such as naturalism or abstraction). We are currently working on a performance for the Whitechapel Gallery and Theatrum Mundi (October 2018).
Timothy Smith is a PhD candidate at University of the Arts London. His practice-led research attends to sound, memory, affect, voice and embodied listening practices in relation to audiovisual artwork. His narrative short films have been shown at more than 70 international film festivals; winning awards in Milan, Calgary, Oslo and Warsaw. More recently, his experimental audiovisual work has screened in London at the BFI London Film Festival, BFI Flare and Fringe! Queer Film Fest; and internationally in Rotterdam and Barcelona. His film A Queering of Memory: Parts 1 & 2 was shortlisted for the 2017 AHRC Research in Film Awards.
Hosted by the Center for Liturgy and Music, part of Lifelong Learning at Virginia Theological Seminary
Worship Matters: The Art of Choral Singing
Gather with other choral singers to enjoy two days of singing, skill-building and fellowship. Program offerings include choral reading sessions for choirs of all abilities, as well as workshops on vocal techniques, working with aging voices, starting an RSCM program, and fresh ideas for warm-ups. The first evening of the conference will also feature a concert by the Baltimore Choral Arts Society, in a performance of A German Requiem by Johannes Brahms.
Presenters include Karen Brunssen, Blake Clark, Cynthia DeDakis, Cliff Hill, and William Bradley Roberts.
What is the registration deadline? Registration closes once full or by October 15.
Does my registration include meals?Yes, dinner on Monday and lunch on Tuesday.
Is there housing?Limited housing is available on campus and is first come first serve. Please contact Jeff Harre, [email protected] for availability. A block of rooms have also been set aside at the Holiday Inn Alexandria. Contact them directly for reservations.
What are my transportation/parking options for getting to and from the event?The workshop is on the campus of Virginia Theological Seminary, 3737 Seminary Road, Alexandria, VA.
Directions: For travel directions go directly to the VTS website at www.vts.edu/directions.
Metro: The Metro is the best way to get around the Washington, DC area. The closest Metro stop is the King Street Station which is about three miles away in Old Town Alexandria. A one-way cab ride will cost around $10.00. A DASH bus ride is around $1.60 (free if coming from the Metro).
Where is parking for the symposium?Parking is available behind Addison, you may park in any parking space designated for visitors or in any undesignated space on the VTS campus. No parking pass is required. See this VTS campus map for the location of the Chapel and parking lots.
Is there worship, and where will worship be held?Conference attendees are welcome to join in the ongoing worship of the seminary community. Worship is held in Immanuel Chapel, near the Seminary Street entrance.
Is there handicap parking available?Handicap parking is available on the grove side of Addison and near Immanuel Chapel.
What about inclement weather?Campus closings are posted on the website: www.vts.edu and recorded on the VTS main phone: 703-370-6600.
What's the refund policy?You may cancel your registration via Eventbrite up to eight days before the event.
Where may I contact the organizer with any questions?Please contact Ellen Johnston at the Center for Liturgy and Music at [email protected] or 703-461-1792.